Curriculum Vita
EMPLOYMENT:
Tutor: Architectural Sketching and Drawing, Faculty of Architecture, Design and Planning, University of Sydney Drawing - Visual Communication, Design, Architecture and Building, University of Technology Drawing- University of New South Wales, Art and Design. Drawing- Public Programs, National Art School. QUALIFICATIONS: 1997: Master of Fine Arts, College of Fine Arts, UNSW 1989: Postgraduate Diploma of Fine Art Sydney College of the Arts 1987: Guest student, Stadelschule, Frankfurt, Germany 1984: Bachelor of Fine Arts, Tasmanian School of the Art SOLO EXHIBITIONS 2014 Drawings, Articulate, Sydney 2012 Harvest, James Dorahy Project Space 2011 Copper Ships, Tin Sheds Gallery, Sydney 2011 Sounding, MARS Gallery, Melbourne 2007 Blue Jay Way, Heide Museum of Modern Art, Melbourne Penrith Regional Gallery, New South Wales 2002 Sound of Lotus, Mori Gallery, Sydney 2002 Sound of Bamboo, Artspace, Royal Botanic Gardens, Sydney 2001 Sound of Lotus ,Paradise Road Gallery, Colombo, Sri Lanka 2000 Quarrying Memory, Gallery 4A, Sydney 1999 round and round the garden, Watch This Space, Alice Springs 1997 Listening to Clara Ethel and Ada, Australian Perspecta1997, Sydney 1996 under the pier, Experimental Art Foundation, Adelaide 1996 under the pier, Artspace, Sydney 1995 humidity, Pendulum, Sydney 1994 stains frescoes 111 riverbed, IMA, Brisbane 1993 frescoes 111assay, aGOG, Canberra 1993 frescoes 111 assay, Glare, Artspace , Sydney 1992 tide, First Draft West, Sydney 1992 frescoes, Photospace, Canberra 1991 the intertidal zone, 200 Gertrude St, Melbourne and The Performance Space, Sydney 1989 the element orange, Performance Space, Sydney 1986 Stadelschule, Frankfurt, Germany Galerie Wasch Salon, Frankfurt, Germany 1985 Handmark Gallery, Hobart SELECTED GROUP EXHIBITIONS: 2018 Tracing Water, collaboration with Japanese architect, Iwaki Kazuya - Echigo Tsumari Art Triennial 2018. 2017 Tokkotai, T5 Camouflage Tank, a Mosman Art Gallery exhibition. Water: This Precious Liquid, Lake Macquarie Gallery, NSW 2015 Daughters, Mothers (Future Feminist Archive), Sydney College of the Arts Gallery 2014 Fertile Ground Exhibition- Australian Tapestry Workshop, Melbourne The Democracy of Drawing, Airspace, Sydney Monochromatic, Sheffer Gallery, Sydney 2013 Cementa13, Kandos Projects 2012 Moving, with Gail Kenning, Peleton, Sydney House Garden,with Virginia Hilyard, Kandos Projects, NSW, Australia 2011 Redgate Residency, Beijing LARQ ( Land Art Reseach Queenstown), Residency,Queenstown, Tasmania Interweave,with Gail Kenning, MOP Gallery, Sydney 2010 Harmonica, Setouchi International Triennial 2010. Japan 2008 5th International Sculpture Symposium2008, Hue, Vietnam Sound of the Night Sky, MARS Gallery, Melbourne Spare Room, Elizabeth Bay House, Sydney 2007 Walking and Art Residency, The Banff Centre, Canada 2006 Echigo Tsumari Art Triennial 2006, Japan Light Sensitive, Contemporary Australian Photography, National Gallery of Victoria, William and Winifred Bowness Photography Prize, Monash University Gallery, Melbourne Fisher’s Ghost Art Award, Contemporary Award winner, Campbelltown Regional Gallery We are Australian Too, Casula Powerhouse Art Centre, Sydney Procession, Mai Gallery, Ho Chi Minh City, Vietnam 2005 Australian Photographic Portrait Prize, Art Gallery of NSW Intray, two cubes, Sherman Galleries, Sydney Works from Sri Lanka, Helen Maxwell Gallery, Canberra 2004 Blake Prize, The Sir Herman Black Gallery, Sydney A Matter of Time 16th Tamworth Fibre Textile Biennial National Small Sculpture Prize, Woollahra Municipal Council, Sydney 2003 First Impressions, National Gallery of Victoria, Melbourne Lunugunga, Comfort Zone, ABC Radio National Reverb, Mai’s Gallery, Ho Chi Minh City, Vietnam 2002 7 Photographers, Stills Gallery, Sydney Hue, with Boyd, Gallery4A, Sydney 2000 Techne, UTS Gallery, Sydney The Convict and the Jew, 24HR Art, Darwin 1999 The Convict and the Jew, Contemporary Art Space, Canberra Schaufenster in die Welt, Kassel, Germany 1998 International Sculpture Symposium, Hue, Vietnam Shields, National Sculpture Forum, Canberra 1997 Listening to Clara, Ethel and Ada, Australian Perspecta, Sydney 1991 Reef of the night sky, Open City's Production, Museum of Accidents, Performance Space, Sydney 1990 Combing, Tin Sheds Gallery, Sydney RESIDENCIES AND GRANTS: 2016 Artist in Residence, Bundanon Trust, NSW 2014 International Land Art Project, Norway. 2011 Creative Research Residency, Tokyo Wonder Site, Japan. 2010 Setouchi Triennial 2012, Japan, funded by the Australia Japan Foundation, Australia Council, Australian Embassy, 2009 New Works Grant, Australia Council 2008 Skills and Development Grant, Australia Council 2008 Walking and Art Residency, The Banff Centre, Canada 2006 Echigo Tsumari Art Triennial, Japan, funded by International Visual Arts Strategy, Visual Arts Board, Australia Council, 2005 New Work, Visual Arts & Crafts Project Grant, Australia Council 2001 New Work, Visual Arts & Craft Project Grant, Australia Council 2000 Asia Link Residency, Sri Lanka 1998 Travel Grant, Vietnamese International Sculpture Symposium, New South Wales Ministry for the Arts 1997 Project Grant, Visual Arts & Crafts Board, Australia Council 1995 Artist in Residence, London, Visual Arts & Crafts Board, Australia Council 1990 Project Grant, Visual Arts & Crafts Board, Australia Council 1986 Guest Student, Stadelschule, Frankfurt, Germany 1985 Travel Grant, Visual Arts & Crafts Board, Australia Council Selected bibliography: Louise Martin -Chew, Daughters Mothers (Future Feminist Archive), Eyeline 84, 2015 Jacqueline Millner, Future Feminst Archives, SCA Gallery catalogue, SCA 2014 Phip Murray, Loti Smorgon: A Life with Art, NGV, 2015 Jennifer Barrett, Jacqueline Millner, Australian Artists and the Museum, Ashgate Publishing, London 2013 Time and Vision, London, 2012 ACME Studios, London, Australia Council John Clark, Setouchi Art Matters, Asian Art News, Volume 20 No.5, 2010 Setouchi International Art Triennial 2006, catalogue, Japan, 2010 Zara Stanhope, Ann Loxley, Jacqueline Millner, Blue Jay Way, Heide Museum of Modern Art, Penrith Regional Gallery and Lewers Bequest, 2006 Isobel Crombie, Light Sensitive, Contemporary Australian Photography, exh. cat., National Gallery of Victoria, Melbourne, 2006 Sasha Grishin, Work from Sri Lanka, Canberra Times, March 10, 2005 Suzie Attwil, A Matter of Time, 16th Tamworth Fibre Biennial 2004 Jacqueline Millner, Sound of Bamboo and Sound of Lotus, Sue Pedley, Artspace Publication 2003 Margaret Roberts, Sound of Bamboo, Haiku Review HR 2 2002 Jacqueline Millner, Sound of Bamboo, exh. cat., Artspace, Sydney, 2002 Isabella Reich, ‘The Convict and the Jew, Eyeline, vol 44, Summer 2000 Jacqueline Millner, ‘Quarrying Memory’, like, issue 44/45, November 2000 Jacqueline Millner in Martin Thomas (ed.), Uncertain Ground, Essays Between Art and Nature, Art Gallery of New South Wales, Sydney, 1999 Suzanne Lecht, ‘Sculpturing Impressions of Hue’, Sculpture News, issue 4, Spring 1999 Anne Ferran, ‘Listening to Clara, Ethel and Ada’, Eyeline, vol 35, Summer 1998 Kevin Murray, Jaqueline Millner, Real Time, August 1997 Virginia Ross, ‘Under the Pier’, Eyeline,, February 1997 Jaqueline Millner, ‘Humidity’, Agenda, ivol 38, September 1996 Jacqueline Millner, Under the Pier, exh. cat., Artspace, Sydney, 1996 Christine Morrow, ‘stains frescoes 111 riverbed’, Eyeline, vol 50, January 1995 Abby Mellich, ‘Broken Circle’, catalogue essay, Institute of Modern Art, Brisbane, 1994 Abby Mellich ‘tide’, Agenda, issue 29, June 1993 Tess Horwitz, the intertidal zone, exh. cat., 200 Gertrude Street, Melbourne, 1992 Sue Pedley Sue Pedley researches place, community, culture and history in relationship to materiality through site-specific installation and interdisciplinary practice. She explores ways to experiment with different materials and their connection to place, reformulating basic elements of time/light and space. She works as a tutor in drawing at the University of Sydney, University of Technology and University and works in drawing at the University of UNSW, Art and Design. She has a Master of Visual Art having studied at Tasmanian School of Art, Sydney College of the Arts, College of Fine Art and Stadelschule, Franfurt, Germany. Sue has had studio/residencies in London, France, Germany and Sri Lanka funded by the Australia Council and Asialink. The National Gallery of Victoria has acquired cyanotypes which were included in the exhibition, First Impressions, curated by Dr Isobel Crombie. Installations include Perspecta, Between Art and Nature, 1997, Gertrude Street, Melbourne1991; IMA, Brisbane,1994; EAF, Adelaide,1996, Gallery4a, 2000,2002, Artspace,1996 and Royal Botanical Gardens, 2002. Exhibitions of works on paper include Paradise Road Gallery, Colombo,2001; Mori Gallery, 2002; Stills Gallery, 2002; Mai's Gallery, Saigon, New York, 2003, Setouchi International Art Festival, Japan 2010. |
Sue Pedley researches place, community, culture and history in relationship to materiality through site-specific installation and interdisciplinary practice. She explores ways to experiment with different materials and their connection to place, reformulating basic elements of time/light and space.
She works as a tutor in drawing at the University of Sydney, University of Technology and University and works in drawing at the University of UNSW, Art and Design. She has a Master of Visual Art having studied at Tasmanian School of Art, Sydney College of the Arts, College of Fine Art and Stadelschule, Franfurt, Germany. Sue has had studio/residencies in London, France, Germany and Sri Lanka funded by the Australia Council and Asialink. The National Gallery of Victoria has acquired cyanotypes which were included in the exhibition, First Impressions, curated by Dr Isobel Crombie. Installations include Perspecta, Between Art and Nature, 1997, Gertrude Street, Melbourne1991; IMA, Brisbane,1994; EAF, Adelaide,1996, Gallery4a, 2000,2002, Artspace,1996 and Royal Botanical Gardens, 2002. Exhibitions of works on paper include Paradise Road Gallery, Colombo,2001; Mori Gallery, 2002; Stills Gallery, 2002; Mai's Gallery, Saigon, New York, 2003, Setouchi International Art Festival, Japan 2010. |