SUE PEDLEY
  • Home
  • Bio
  • Installations 1990-2000
    • Quarrying Memory 2000
    • The Convict and the Jew 1999
    • Spinifex 1999
    • Drawing on Rock 1998
    • Listening to Clara, Ethel and Ada 1997
    • Under the Pier 1996
    • Humidity 1995
    • The Intertidal Zone 1991
    • Combing 1990
    • The Element Orange 1990
  • Installations 2001-2020
    • Manly Dam Project, Manly Art Gallery and Museum 2019
    • Patches of Light - Tasmania 2019
    • Tracing Water - Echigo Tsumari Art Triennial 2018
    • Rolling Musical Screech - Bankstown Art Centre - 2017
    • Orange-Net-Work 2017
    • Patches of Light - SCA Gallery 2015
    • Birch Bridge - Norway - 2014
    • Home Garden 2012
    • Copper Ships - Tin Sheds Gallery 2011
    • Harmonica - Setouchi Art Triennial - Japan 2010
    • Blue Jay Way 2007
    • Spare Room 2007
    • Haze - Echigo Tsumari Triennial - Japan - 2006
    • In Tray 2006
    • Sound of Bamboo 2003
    • Sound of Bamboo 2002
    • Sound of Lotus 2001
  • Works on paper
    • Sonic Pressure 2020
    • Orange-Net-Work 2017
    • Lacuna 2017
    • Blueprint 2016
    • Patches of Light - water colours - 2015
    • Sound Lines - drawings- 2014
    • Harvest - monoprints - 2012
    • Monoprints - 2012
    • Sounding - collages - 2011
    • cyanotypes - Porifera Portraits - 2005
    • Cyanotypes 2000 - 2007
    • Humidity - drawings - 1995
    • Rolling Musical Screech-cyanotypes
  • Essays
    • Anne Finnegan
    • Jacqueline Millner
  • Contact

Lacuna (series)
Virginia Hilyard and Sue Pedley, 2016
Lacuna (series) are ten large-scale graphite rubbings made during the artists’ residency in 2016 at the Bundanon Trust, located on the Shoalhaven River, NSW.

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Lacuna (series-Well) 10mx1.5m, graphite, 2016
PictureLacuna (series- Tank) 10m x 1.5m

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Lacuna (series- Bore Water Pump)
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Lacuna (series- Hearth) - graphite, 3.5m x1.5m, 2016
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detail - Lacuna (series-Hearth)
Lacuna (series) are ten large-scale graphite rubbings made during the artists’ residency in 2016 at the Bundanon Trust, located on the Shoalhaven River, NSW.
 
Hilyard and Pedley were drawn to man-made structures on the Bundanon property associated with fire and water, elemental forces that have significantly shaped the Bundanon property, and indeed the Shoalhaven landscape, for centuries.
 
The containers for water and the structures relating to fire presented a lacuna for Hilyard and Pedley. The origins of the word lacuna trace back to the mid-seventeenth century from the Latin word lacus meaning lake, pond, lagoon, ditch and hole. Today, the word lacuna carries meaning across many disciplines of enquiry, for example an unstudied area of science, amnesia in psychology, a silence in music and a cavity in anatomy.
 
The artists’ were drawn to the functional objects scattered throughout the gardens and paddocks around the sandstone homestead. These structures were formed in cement, metal, stone or timber and seemed to sit outside the heritage narrative of the site. It was through the act of making the full-size impressions – or rubbings - of these objects that unseen textures, spaces and cavities, dips and holes were revealed. It is in these field-work drawings that unstudied histories are presented, and despite the utilitarian, mundane and purposeful nature of these objects, they add, in a very real way, to knowledge of the site at Bundanon.
 
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detail - Lacuna (series-Hearth)
  • Home
  • Bio
  • Installations 1990-2000
    • Quarrying Memory 2000
    • The Convict and the Jew 1999
    • Spinifex 1999
    • Drawing on Rock 1998
    • Listening to Clara, Ethel and Ada 1997
    • Under the Pier 1996
    • Humidity 1995
    • The Intertidal Zone 1991
    • Combing 1990
    • The Element Orange 1990
  • Installations 2001-2020
    • Manly Dam Project, Manly Art Gallery and Museum 2019
    • Patches of Light - Tasmania 2019
    • Tracing Water - Echigo Tsumari Art Triennial 2018
    • Rolling Musical Screech - Bankstown Art Centre - 2017
    • Orange-Net-Work 2017
    • Patches of Light - SCA Gallery 2015
    • Birch Bridge - Norway - 2014
    • Home Garden 2012
    • Copper Ships - Tin Sheds Gallery 2011
    • Harmonica - Setouchi Art Triennial - Japan 2010
    • Blue Jay Way 2007
    • Spare Room 2007
    • Haze - Echigo Tsumari Triennial - Japan - 2006
    • In Tray 2006
    • Sound of Bamboo 2003
    • Sound of Bamboo 2002
    • Sound of Lotus 2001
  • Works on paper
    • Sonic Pressure 2020
    • Orange-Net-Work 2017
    • Lacuna 2017
    • Blueprint 2016
    • Patches of Light - water colours - 2015
    • Sound Lines - drawings- 2014
    • Harvest - monoprints - 2012
    • Monoprints - 2012
    • Sounding - collages - 2011
    • cyanotypes - Porifera Portraits - 2005
    • Cyanotypes 2000 - 2007
    • Humidity - drawings - 1995
    • Rolling Musical Screech-cyanotypes
  • Essays
    • Anne Finnegan
    • Jacqueline Millner
  • Contact