SUE PEDLEY
  • Home
  • Bio
  • Installations 1990-2000
    • Quarrying Memory 2000
    • The Convict and the Jew 1999
    • Spinifex 1999
    • Drawing on Rock 1998
    • Listening to Clara, Ethel and Ada 1997
    • Under the Pier 1996
    • Humidity 1995
    • The Intertidal Zone 1991
    • Combing 1990
    • The Element Orange 1990
  • Installations 2001-2020
    • Manly Dam Project, Manly Art Gallery and Museum 2019
    • Patches of Light - Tasmania 2019
    • Tracing Water - Echigo Tsumari Art Triennial 2018
    • Rolling Musical Screech - Bankstown Art Centre - 2017
    • Orange-Net-Work 2017
    • Patches of Light - SCA Gallery 2015
    • Birch Bridge - Norway - 2014
    • Home Garden 2012
    • Copper Ships - Tin Sheds Gallery 2011
    • Harmonica - Setouchi Art Triennial - Japan 2010
    • Blue Jay Way 2007
    • Spare Room 2007
    • Haze - Echigo Tsumari Triennial - Japan - 2006
    • In Tray 2006
    • Sound of Bamboo 2003
    • Sound of Bamboo 2002
    • Sound of Lotus 2001
  • Works on paper
    • Sonic Pressure 2020
    • Orange-Net-Work 2017
    • Lacuna 2017
    • Blueprint 2016
    • Patches of Light - water colours - 2015
    • Sound Lines - drawings- 2014
    • Harvest - monoprints - 2012
    • Monoprints - 2012
    • Sounding - collages - 2011
    • cyanotypes - Porifera Portraits - 2005
    • Cyanotypes 2000 - 2007
    • Humidity - drawings - 1995
    • Rolling Musical Screech-cyanotypes
  • Essays
    • Anne Finnegan
    • Jacqueline Millner
  • Contact

Rolling Musical Screech - Bankstown Art Centre - 2017

​Rolling Musical Screech is a series of printed signs on posts with images of birds and the descriptions of the bird’s voices that inhabit the park surrounding the Bankstown Arts Centre. The work uses the ubiquitous road sign form to draw people’s attention to local birds and their often unheard songs and voices. The selection of birds – the Magpie, Fig Bird, Ibis, Koel and Indian Myna is a mix of endemic, migratory and introduced species to the area. Bird communities are like human communities targeted, displaced and vulnerable in a rapidly changing urban environment with high-density housing, new transport systems and the removal of trees, parklands and waterways.
Picture
Rolling Musical Screech 2017- photo by Helen Grace
  • Home
  • Bio
  • Installations 1990-2000
    • Quarrying Memory 2000
    • The Convict and the Jew 1999
    • Spinifex 1999
    • Drawing on Rock 1998
    • Listening to Clara, Ethel and Ada 1997
    • Under the Pier 1996
    • Humidity 1995
    • The Intertidal Zone 1991
    • Combing 1990
    • The Element Orange 1990
  • Installations 2001-2020
    • Manly Dam Project, Manly Art Gallery and Museum 2019
    • Patches of Light - Tasmania 2019
    • Tracing Water - Echigo Tsumari Art Triennial 2018
    • Rolling Musical Screech - Bankstown Art Centre - 2017
    • Orange-Net-Work 2017
    • Patches of Light - SCA Gallery 2015
    • Birch Bridge - Norway - 2014
    • Home Garden 2012
    • Copper Ships - Tin Sheds Gallery 2011
    • Harmonica - Setouchi Art Triennial - Japan 2010
    • Blue Jay Way 2007
    • Spare Room 2007
    • Haze - Echigo Tsumari Triennial - Japan - 2006
    • In Tray 2006
    • Sound of Bamboo 2003
    • Sound of Bamboo 2002
    • Sound of Lotus 2001
  • Works on paper
    • Sonic Pressure 2020
    • Orange-Net-Work 2017
    • Lacuna 2017
    • Blueprint 2016
    • Patches of Light - water colours - 2015
    • Sound Lines - drawings- 2014
    • Harvest - monoprints - 2012
    • Monoprints - 2012
    • Sounding - collages - 2011
    • cyanotypes - Porifera Portraits - 2005
    • Cyanotypes 2000 - 2007
    • Humidity - drawings - 1995
    • Rolling Musical Screech-cyanotypes
  • Essays
    • Anne Finnegan
    • Jacqueline Millner
  • Contact